Works Cited by Inileidys Hernández

Levinas, Emmanuel. Totality and Infinity. Martinus Nijhoff Publishers, 1979. 

Manada de Lobxs. Foucault para encapuchadas. Milena Caserola, 2014.

Rivalta, Gertrudis. "Re: Esta performance es también un disentimiento." Received by Inileidys Hernández, 5 Nov. 2022.


Works Cited by Dantaé Garee Elliott

Adichi, Chimamanda Ngozi. "The danger of a single story." Ted, 2009,
https://www.ted.com/talks/chimamanda_ngozi_adichie_the_danger_of_asingle_story/comments.

Davis, Andrea A. Horizon, Sea, Sound: Caribbean & African Women’s Cultural Critiques of Nation. Northwestern U P, 2022. 

García-Peña, Lorgia. Translating Blackness: Latinx Colonialities in Global Perspectives. Duke U P, 2022. 

Miller, Kei. The Cartographer Tries to Map a Way to Zion. Carcanet P, 2014.


Works Cited by Suset Sánchez Sánchez

Mirzoeff, Nicholas. The Right to Look: A Counterhistory of Visuality. Duke University Press, 2011.

Spivak, Gayatri. A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. Harvard University Press, 1999.


Works Cited by Gwen A. Unger

Allen, Jafari S. ¡Venceremos?: The Erotics of Black Self-making in Cuba. Duke University Press, 2011.

Casamayor-Cisneros, Odette. "Confrontation and Occurrence: Ethical–Esthetic Expressions of Blackness in Post-Soviet Cuba." Latin American and Caribbean Ethnic Studies, vol. 4, no. 2, 2009, pp. 103-135.

Fernandes, Sujatha. Cuba represent!: Cuban arts, state power, and the making of new revolutionary cultures. Duke University Press, 2006.

Henricks, Thomas S. "Play as Self-Realization: Toward a General Theory of Play." American Journal of Play, vol. 6, no. 2, 2014, pp. 190-213.

Johnson, E. Patrick. "“Quare” Studies, or (Almost) Everything I Know about Queer Studies I Learned from My Grandmother".  Black Queer Studies: A Critical Anthology, edited by E. Patrick Johnson and Mae G. Henderson, Duke University Press, 2005, pp. 124-158.

Lau, Kimberly J. “The Political Lives of Avatars: Play and Democracy in Virtual Worlds.” Western Folklore, vol. 69, no. 3/4, 2010, pp. 369–394.  

Loss, Jacqueline. "Paper Cut-Outs: Notes on Cuba, Taste and Mobility," The Global South, vol. 13 no. 1, 2019, pp. 33-58. 

---. “Gertrudis Rivalta: Introduction.” Selected Pages: Gertrudis Rivalta, edited by Ana Dopico, Marcial Godoy, and Jacqueline Loss. Thomas Nickles Project X Hemispheric Institute, 2022, pp. 7-15.

McMillan, Uri. Embodied Avatars: Genealogies of Black Feminist Art and Performance. New York University Press, 2015. 

Otero, Solimar. Archives of Conjure: Stories of the Dead in Afrolatinx Cultures. Columbia University Press, 2020.

Powell, Richard J. Cutting a Figure: Fashioning Black Portraiture. University of Chicago Press, 2008.

Rivalta, Gertrudis. “"Fnimaniev! Fnimaniev! The Hare and the Turtle: The Black Mona." Caviar with Rum: Cuba-USSR and the Post-Soviet Experience, edited by Jacqueline Loss and José Manuel Prieto, Palgrave Macmillan, 2012, pp. 171-182. 

Strongman, Roberto. Queering Black Atlantic Religions: Transcorporeality in Candomblé, Santería, and Vodou. Duke University Press, 2019.


Works Cited by Lázara M. Menéndez Vázquez

Lugones, María. “Toward a Decolonial Feminism.” Hypatia, vol. 25, no. 4, 2010, pp. 742-759.


Works Cited by María A. Cabrera Arús

“8 Surprising Facts about Stellar Career of Valentina Tereshkova, the 1st Woman in Space,” 6 Mar. 2017,
https://www.rt.com/news/379550-tereshkova-facts-80-anniversary/.

Alcaide Ramírez, Aurora. “Identidades en tránsito: Reformulando el Caribe desde España a través de la obra de Gertrudis Rivalta y Brenda Cruz.” Arte y Políticas de Identidad, vol. 13, 2015, pp. 173–96.

Bartlett, Djurdja. Fashion East: The Spectre that Haunted Europe. MIT Press, 2010.

Cabrera Arús, María A. “The Material Promise of Socialist Modernity: Fashion and Domestic Space in the 1970s.” The Revolution from Within: Cuba 1959-1980, edited by Michael Bustamante and Jennifer Lambe. Duke University Press, 2019, 189–217.

Casamayor Cisneros, Odette. “Elogio del ‘apalancamiento’: perspectivas ante la pervivencia y reproducción de la desigualdad, los prejuicios y la discriminación raciales en la sociedad cubana actual." Cuban Studies, no. 48, 2019, pp. 303–327.

Castillo, Greg. Cold War in the Home Front: The Soft Power of Midcentury Design. University of Minnesota Press, 2010.

Díaz Infante, Duanel. “La revolución es el espectáculo,” Diario de Cuba, 11 Aug. 2012.
http://www.diariodecuba.com/cultura/1344672447_694.html

“En el camino de las estrellas.” Mujeres, vol. 3, no. 7, 1 July 1963, p. 3.

Loss, Jacqueline. “Persistent Matrioshkas.” Caviar with Rum: Cuba-USSR and the Post-Soviet Experience, edited by Jacqueline Loss and José Manuel Prieto, Palgrave McMillan, 2012, pp. 183–199.

---.  “Paper Cut-Outs: Notes on Cuba, Taste and Mobility,” The Global South vol. 13, no. 1, 2019, pp. 33–58.

Loss, Jacqueline and José Manuel Prieto, editors. Caviar with Rum: Cuba-USSR and the Post-Soviet Experience. Palgrave McMillan, 2012.

Phaf, Ineke. “La nación cimarrona en el imaginario del Caribe no hispánico.” Revista de Crítica Literaria Latinoamericana, vol. XVI, no. 32, 1990, pp. 67–97.

Power, Kevin. “Gertrudis Rivalta: Imágenes de un mundo imaginado”. Gertrudis Rivalta: Fnimanief. Galería Aural, 2004, pp. 3–11.

Rivalta, Gertrudis. "Fnimaniev! Fnimaniev! The Hare and the Turtle: The Black Mona”. Caviar with Rum: Cuba-USSR and the Post-Soviet Experience, edited by Jacqueline Loss and José Manuel Prieto, Palgrave McMillan, 2012, pp. 171–81. 

---. Personal interview, September 2022.

Sheehan, Michael. The International Politics of Space. Routledge, 2007.

“URSS, espejo de nuestro propio porvenir.” Mujeres, vol. 2, no. 21, 1 Nov. 1962, pp. 80–82.